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Session 9 - Opamps & Transformers
ADK Custom Shop AP-1 Microphone Preamplifier / DI

The Opamps - ADK stock opamp, Avedis 1122, Millennia MM-990, Forssell 992, Forssell 993, API 2520 (1999), API 2520 (Vintage made in Huntington, NY)

The Transformers - ADK Crimson, Jensen JT-110K-HPC, Lundahl LL 1538XL, Sowter Type 9820c, Cinemag CMMI-8PCA.


Recorded on September 5, 2005

Produced by Dan Richards
Engineered by Brian McKenzie, Dan Richards

Recorded at The Lazy I Studios
Edited at TLS HQ

Acoustic guitar played by Tommy Tipton
Bass played by Patrick O'Leary

Special thanks to:
Avedis - Brent Averill
Peter Cornell - Bizzar Pro/Vintage Audio-DIY
Jon Erickson - Helsing Audio
Fred Forssell - Forssell Technologies
John Hardy - John Hardy Co.
John LaGrou - Millennia Media
Larry Villella - ADK Microphones / ADK Custom Shop


Session Notes: A couple of years ago we started playing around with swapping out 2520/2510/990-type 5-pin opamps in an API 3124 mic preamp. When the ADK Custom Shop AP-1 entered production — with not only swappable opamps capabilities but also swappable transformers — we thought this would be a good time to do some testing and post some sound files. The sound files in this Session 9 are 16-bit WAV files.

All WAV files are named systematically as source.opamp.trans.wav

The purpose of this session is to listen to the different relative qualities of various opamps and transformer combinations in an ADK Custom Shop AP-1 mic preamp. The signal path is minimal and there was no dynamic processing — no EQ, compression or limiting — of any kind used on these tracks.

Session 9 is also a sound file companion for an upcoming review of the ADK AP-1 mic preamp for Studio Reviews.

A note of caution: Be very careful with the volume — especially on the bass tracks — on your monitors! You are essentially getting the same signal from these sound clips as you would from plugging a bass directly into your system. Please start at a low volume, and then raise as desired and as is safe for your monitoring system. We assume no responsibility for any damage these files may cause to your sound system or to your relationship with your neighbors.

Talk about it in the Session 9 topic and the ADK AP-1 topic at Studio Forums.

Enjoy! - DR - "Dot"



The signal chain for these recordings:

Acoustic Guitar -- AKG C414 TLII ADK AP-1 mic pre -- Tango 2 AD -- SAW Studio --- edited with BIAS Peak 4
Bass Guitar -- ADK AP-1 DI -- Tango 2 AD -- SAW Studio --- edited with BIAS Peak 4




If table contents do not line up, widen your browser window.
Click here for printer-friendly track sheet
    
Track
01
02

03
04

05
06

07
08

09
10

11
12

13
14

15
16

17
18

19
20

21
22

23
24

25
26

27
28
Mic Preamp
ADK opamp w/ Cinemag trans
ADK opamp w/ Cinemag trans

ADK opamp w/ Crimson trans
ADK opamp w/ Crimson trans

ADK opamp w/ Jensen trans
ADK opamp w/ Jensen trans

ADK opamp w/ Lundahl trans
ADK opamp w/ Lundahl trans

ADK opamp w/ Sowter trans
ADK opamp w/ Sowter trans

Forssell 992 opamp w/ Cinemag trans
Forssell 992 opamp w/ Cinemag trans

Forssell 993 opamp w/ Cinemag trans
Forssell 993 opamp w/ Cinemag trans

API Vintage 2520 opamp w/ Cinemag trans
API Vintage 2520 opamp w/ Cinemag trans

API Vintage 2520 opamp w/ Lundahl trans
API Vintage 2520 opamp w/ Lundahl trans

API Vintage 2520 opamp w/ Sowter trans
API Vintage 2520 opamp w/ Sowter trans

Avedis 1122 opamp w/ Cinemag trans
Avedis 1122 opamp w/ Cinemag trans

API 1999 2520 opamp w/ Cinemag trans
API 1999 2520 opamp w/ Cinemag trans

Avedis 1122 opamp w/ Lundahl trans
Millennia MM-990 opamp w/ Jensen trans

Forssell 992 opamp w/ Jensen trans
Avedis 1122 opamp w/ Jensen trans
Source
Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Acoustic Guitar
Bass

Bass
Bass

Bass
Bass
WAV Files
Track 1
Track 2

Track 3
Track 4

Track 5
Track 6

Track 7
Track 8

Track 9
Track 10

Track 11
Track 12

Track 13
Track 14

Track 15
Track 16

Track 17
Track 18

Track 19
Track 20

Track 21
Track 22

Track 23
Track 24

Track 25
Track 26

Track 27
Track 28

       

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